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Reviews
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| Photograph from a concert with Village Light Opera featuring Alika Hope at the National Arts Club |
Reviews
Alika has been reviewed and mentioned in New Yorker Magazine, Opera News, The Monitor, The Catholic Review,
and other major publications:
(Pirates of Penzance): "One
of the most pleasant surprises of the production was the magnificent singing voice of Alika Hope...Every time Hope sang, it
was not long enough. Hope's vocal range is most impressive."
The Citizen's Voice
"The young women warmed immediately to her talk, spiced
with humor and drawn largely from her own experiences..."
The Monitor
Alika Hope "emphasized the importance of respecting the
dignity of other people" (From review of Sexual Ethics talk)
The Catholic Review
"Anyone privileged to hear her singing will be immediately
attracted to this talented woman. Anyone who talks with her cannot help but be impressed with her widespread interest
in human behavior and her willingness to do something about it."
The Citizen's Voice
(Philomel): "Alika Hope turned this potentially forbidding
work into a genuinely dramatic experience. Completely secure musically, she projected sassiness, humiliation and sensuality,
while shifting naturally in and out of song, speech and several gradations in between."
Opera News (Online)
"...A luminous aria for solo soprano...Alika Hope performs
it in an exceptionally varied program of one-woman operas." (A discussion on Philomel)
The New Yorker Magazine
(Emperor Jones): "The large cast...under
choreographer Alika Hope's direction...decisively added to the cumulative terror of the piece"
The Westsider
"Athletic Choreography..."
Opera Now Magazine
"...The Salsa Flavor"
South Bend Tribune
"Alika Hope...displayed memorable voice when
her star turn came."
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