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Reviews
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(Philomel): "Alika Hope turned this potentially forbidding
work into a genuinely dramatic experience. Completely secure musically, she projected sassiness, humiliation and sensuality,
while shifting naturally in and out of song, speech and several gradations in between."
Opera News (Online)
"...A luminous aria for solo soprano...Alika Hope performs
it in an exceptionally varied program of one-woman operas." (A discussion on Philomel)
The New Yorker Magazine
(Emperor Jones): "The large cast...under
choreographer Alika Hope's direction...decisively added to the cumulative terror of the piece"
The Westsider
"Athletic Choreography..."
Opera Now Magazine
"Alika Hope...displayed memorable voice when
her star turn came."
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